EDITREADY BATCH PROCESS MULTIPLE FILES HOW TO
EDITREADY BATCH PROCESS MULTIPLE FILES PRO
EDITREADY BATCH PROCESS MULTIPLE FILES SOFTWARE

Do some quick spot-checks on the footage using the built in player to make sure it’s what you expect. Use the “set metadata for all” command to attach a consistent reel name to all of the clips. One common workflow would be to drop all the footage from a given shot into EditReady. With bulk metadata editing and custom file naming, the management of all the files from the set becomes simpler and more trackable.

That can be a problem if you’re shooting ProRes or similar.Ĭonverting ProRes, DNxHD or MPEG2 footage with EditReady to H.264 is fast and easy. Most of these folks aren’t equipped with editing suites or viewing stations – they want to view footage on their desktop or mobile device. But why do you want to transcode in the first place? DailiesĪfter a day of shooting, there are a lot of people who need to see the footage from the day. The tool I’ve been working on is EditReady, a transcoding app for the Mac.

EDITREADY BATCH PROCESS MULTIPLE FILES HOW TO

A PDF version of the user manual available to download here.ĭetails from Divergent on the latest 1.1.2 update:ĮditReady 1.1.2 contains a number of fixes and enhancements and is recommended for all users.Since I’ve been working on a tool in this space recently, I thought I’d write something up in case it helps folks unravel how to think about transcoding these days. You can find out more about EditReady on the Divergent media website. Be aware that the application of a LUT will slow down the conversion process. This is useful if you want to shoot S-log2 but hand off rushes that have a more graded look to clients for inspection. Divergent claim EditReady performs faster conversions than major rivalsĮditReady also has a useful H.264 conversion option that allows you to quickly generate files for web.Īnother nice feature is the ability to batch apply a lookup table (LUT) in 3DL and Cube formats to the images. In practice it was fast enough for my needs. Divergent claim the conversion to be faster than many of their rivals but I haven’t had a chance to test this scientifically. The conversion process is pretty speedy although for large batches you will still have plenty of time to go and get a cup of tea while converting. ProRes flavours include ProRes 422 LT, 422 Proxy, 422, 422 HQ and 4444. It offers batch conversion of XAVC-S and many other popular codecs (including Canon C300 MXF and GoPro files) into Apple ProRes or DNxHD and importantly keeps the a7S time codes intact. At $49.99 it is considerably cheaper than Catalyst Prepare and has a simple and intuitive interface that allows you to browse entire folders and make selections quickly. Obviously you can import the footage into a newer edit package like Premiere and then export it with a new timecode as a ProRes file, but this takes time and is a real pain with large amounts of footage.Įnter EditReady from the nice folks at Divergent media. The more expensive Catalyst Prepare does offer batch conversions as well as some very nice image control options, but costs $199.95.

EDITREADY BATCH PROCESS MULTIPLE FILES SOFTWARE

Sony’s own low cost Catalyst Browse software will convert files but only one at a time. This might not matter to the casual user but in broadcast or long form documentary this can be critical. There are several programs out there that will batch convert XAVC-S to Apple ProRes or DNxHD, but until now I haven’t found an inexpensive way to do so and preserve timecode. The conventional solution in such cases is to convert the footage into something more editable.

EDITREADY BATCH PROCESS MULTIPLE FILES PRO

If you shoot with a Sony a7S on a regular basis and hand off your material to be edited by someone else, then you have probably come across this problem: The wonderful internal XAVC-S codec doesn’t play nice with older editing systems – especially Final Cut Pro 7 and older versions of AVID.

Editready batch process multiple files